Most people would be hard pressed to not find a track among the 14 that they can get into in Major Lazer’s release, “Free the Universe”. Read the review.

“A quite respectful collection of tunes from a band that still has a lot to offer,” Fabio Marraccini reviews Deep Purple’s ‘Now What?!’.

Cold War Kids’ newest release ‘Dear Miss Lonelyhearts’ shows a return to form and has given us a renewed belief in the band. Read the review.

Bonobo’s latest record is a smooth, continuous work of ambient electronic music that slides seamlessly into the artist’s development. Read more.

Finntroll’s latest release’s formula: in the core, heavy riffs and all sorts of unexpected melodies and vocals that go from very harsh to almost epic. Read the review.

“If Save Rock and Roll has left me with something, it is that if I need a fun upbeat album to move, to this one will be at the top of the list.” A review by Jarrod Macartney.

Dansson & Marlon Hoffstadt’s Shake That EP is an energetic bopper that won’t be leaving your head any time soon. Read the review.

With a long career now spanning fifteen full lengths, two major style shifts, and two core musicians Fenriz and Nocturno Culto keeping the boat afloat, Darkthrone shows no signs of slowing down. Read Fabio Marraccini’s review.

The difficult second album – some have struggled, others have excelled. So where does Delphic’s ‘Collections’ stand on this totem pole? Read the review.

Azari & III are keeping their spotlight with Remix Album 2013, featuring major mixers. Find out who’s in it on Rory O’Maley’s review.

Octover, the alternative electronic duo of Vanessa Fernandez and Jason Tan, released their self-titled album. Here’s a review.

Scottish rockers Biffy Clyro are back with a bigger and longer release. Jarrod Macartney reviews their latest record.

A review by Jarrod Macartney.

A review by Rory O’Maley.

A review by Fabio Marraccini.

A review by Fabio Marraccini.

A review by Rory O’Maley.

A review by Fabio Marraccini.

It’s the end of Music Weekly’s first year and what better way to celebrate than to bring things full circle with a local Singaporean release. A review by Rory O’Maley.

A review by Fabio Marraccini.